The
recent Radiohead stage collapse in Toronto that left one dead and three injured
could have serious ramifications for the live event industry, according to Scott Carroll, Executive Vice President
and Program Director of Take1 Insurance,
the entertainment industry's leading specialist insurance provider. The unfortunate event could renew calls for
stricter regulations for stage construction and engineering, potentially
convincing less experienced insurance providers to abandon the industry. And with fewer providers there is less
competition, which could lead to higher premiums.
“The
live event industry is a unique market for insurance providers,” Carroll
stressed today, “and many simply don’t have the knowledge or experience to
fully comprehend the risks and liabilities. There have been several
large outdoor stage collapses in the last few years, and it’s likely that the
industry will form more stringent regulations and oversight for rigging jobs of
this magnitude. As in any industry, if
new regulations are implemented some insurance companies will start to
reevaluate their business in this market. The fact is that every company
involved in live events should have an insurance carrier who knows the risks
and has experience handling claims in this industry.
“After
this latest collapse, all live event companies are going to take a hard look at
what they are doing to prevent this type of thing from happening.” Carroll
continued. “It would also be wise for them to speak with their current
insurance provider to ask about their experience in this space and their plans
to continue serving the industry. If
some insurance providers leave the industry, the decreased competition will
cause the price of new policies to go up.
So the smart move for business owners is to take action now, rather than
waiting until policies are more expensive.”
Amplifying
Carroll’s points, Stephen Isenberg, President of Impact Audio Visual, Inc., which has offices
in Burbank, California; Las Vegas, Nevada; and Montreal, Quebec, states that
the having right insurance provider is vital to the long-term health of the
company.
“When
I hear about a stage collapse or accident at a live event, my first thoughts
are always for anyone injured,” Isenberg said.
“Then, inevitably I think, ‘what would happen if an accident like that destroyed
hundreds of thousands of dollars of my equipment?’ We provide digital signage for high-profile
events such as the 2010 Vancouver Olympics as well as many high profile music
festivals across North America, so we need to know that our insurance provider
is the most experienced and knowledgable in the live event industry. That’s when I find comfort in the fact that
Take1 insures Impact Audio Visual.
“Take1’s
carrier is Fireman’s Fund, which knows the nature of the live event business
and is always seeking to understand the day-to-day liabilities and issues. For instance, indoor concerts are in
buildings where there are engineers who know rig points and load bearing
characteristics, whereas an outdoor stage, by its nature, is not as exact or
permanent. Fireman’s fund understands
all of this and has extensive experience in handling claims.
“Another
important factor is that Take1 and Fireman’s Fund have the knowledge and
experience to continue serving the live event industry. We stay with them because the personal
attention we receive is second to none, and every issue we’ve ever had has been
resolved quickly and efficiently. That’s
what we need from an insurance provider.”
Carroll
is quick to point out that insurance for an outdoor event is not the same as
insurance for a company who sometimes performs or works at outside events. He also notes that as staging systems are increasingly
upgraded to bring the look and feel of indoor events to the outdoors, the
insurance industry needs to study the underwriting issues and learn new
questions that need to be addressed, as well as possibly introducing stricter
risk mitigation requirements from clients.
Take1’s
specialty program has designed inland marine coverage, among other specialty
coverages for the entertainment industry, that automatically applies everywhere
in the world, without the need for additional riders or endorsements. It eliminates co-insurance, thus protecting
100 percent of the insured value of the equipment covered; provides automatic
replacement cost valuation; allows for separate limits in key individual
coverage areas like owned equipment, equipment rented from others, equipment in
the insured’s Care Custody and Control (CCC), and equipment in transit; flood
coverage for equipment in transit; and blanket limits that eliminate the need
for clients’ to itemize each and every piece of equipment, cable, LED panel,
etc. being covered.
About U.S. Risk
Insurance Group
U. S. Risk Insurance Group, Inc. (www.usrisk.com) is a specialty lines underwriting manager and wholesale broker headquartered in Dallas. Operating 11 domestic and international branches, it offers a broad range of products and services through its affiliate companies, which include U.S. Risk Underwriters, U.S. Risk Brokers, Oxford Insurance Brokers, Ltd. (London), Advocate Reinsurance Partners, LLC, and Unisource Program Administrators.
U. S. Risk Insurance Group, Inc. (www.usrisk.com) is a specialty lines underwriting manager and wholesale broker headquartered in Dallas. Operating 11 domestic and international branches, it offers a broad range of products and services through its affiliate companies, which include U.S. Risk Underwriters, U.S. Risk Brokers, Oxford Insurance Brokers, Ltd. (London), Advocate Reinsurance Partners, LLC, and Unisource Program Administrators.
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